BIOGRAPHY
Sue
Fox grew up with a love of glass art,
especially paperweights
and scent bottles, which she first encountered on
strolls through antique shops during family vacations.
She also recalls her mother's treasured collection
of old Heisey glass. She never would have imagined
that one day she would be creating glass treasures
of her own.
In the late 1970's, Sue pursued an academic career,
only to discover that her true passion and talent
lay in handwork. A sense of adventure during a summer
break from the College of Charleston led her on a
sailing trip to the Chesapeake Bay, where she lived
aboard a sailboat in Annapolis harbor and worked ashore
learning the craft of nautical canvaswork. Upon return
to Charleston the following year, Sue chose to start
her own canvas business. This was a time of hard work,
growing confidence and sun-filled days sailing with
friends.
During a transitional period of her life in the early
1990's, an introduction to flameworking presented
itself during a trip to Sante Fe, New Mexico. Thoroughly
entranced by this new medium, and not one to shy away
from new and exciting possibilities, Sue returned
home to South Carolina and set up a studio where she
worked to perfect her art, reveling in the opportunity
to create the beautiful glass objects she had loved
as a child. She discovered early on that she preferred
intricately detailed work which led to her interest
in paperweight buttons, pendants, and dollhouse miniatures.
Sue has won several national awards at Bead and Button
Shows. She is a juried member of the Southern Highland
Craft Guild, and has attained artisan status in the
International Guild of Miniature Artisans. Her work
can be found in the permanent collection of the Bergstrom-Mahler
Paperweight Museum, as well as in private collections.
Sue's paperweight buttons are signed with a signature
cane.
It
is a cross between an S and F with a blue border.
Transparent buttons are etched with S. Fox and the
year.
Sue currently works out of her studio in Spartanburg,
South Carolina.
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